Upstairs by Yeu-Lai Mo
Drawing on personal memory and returning to the site of the takeaway, Mo has created a new piece called 'Upstairs', based on memories of a room above the family's shop that housed a large Taoist shrine. The room was dedicated to private worship and family ritual, where her family practiced Chinese Shamanism, a secret Taoist folk religion passed down orally. At Lunar New Year her father would prepare ‘Fu Cheung,’ talismans with sigils on yellow consegrated rice paper. These were burnt and consumed during a tea ceremony and he would then go into a trance called, ‘Juk Tung’, speaking tongues, he'd perform martial arts through trance meditation, displaying the 'drunken fist' and mimicking mythological characters such as the Monkey King and 'Lo Si' the grand master. Each member of the family would then take turns to play out these improvised trances and make them their own , this would carry on through the night, a family’s secret recreational sport.
Mo has re-created a large scale shrine based on rare archival photos of a small home shrine and memories of childhood interactions with the shrine, such as tending to the offerings of flowers, fruit and tea, lighting joss and replenishing the oil lamp that were lite permanently. She created an installation with video projection & soundscape, working with performers to create re-enactments of ‘Juk Tung’,
Along side this piece is a soundscape of original 'taped' sound recordings of customers 'takeaway orders' over the phone, set in regional Black Country accents, against the backdrop of kitchen noises. For this piece Mo has aimed to capture her conflicting feelings of a young person and the vulnerabilities and resistance of taking part in a folk religion set within the confines of a family's home, the ritual and the bizare private practice witnessed as a child from a diasporaric community.
Developed in 2022 supported by ACE DYCP grant.
Image; Archival photograph of 'home shrine' in Holly Bush Lane, 1970's. Rare documentation of hand made Fu Sigil banner with shrine objects.
Installation View of ‘Upstairs’. Components, custom made pink cupboards, large mirror, hand painted calligraphy, Fu Sigil banner- hand drawn ink on silk, laughing Buddha statue, Bagua Mirror, Gun Yin Figurine, Joss bowl, oil lamp, candle lamp. &various offerings of fruit, flowers and tea.
The White Rose, a family takeaway based in Stourbridge, West Midlands.
Image by Yeu-Lai Mo circa 1990's. Installation view, 'Upstairs' Carton Gallery 2021.
Goddess of mercy appearing from the clouds, photogram of Guan Yin by Yeu-Lai Mo.
Digital photo with ink drawing 2021. This is a replica photomantage that was housed in the shrine.
"This photograph was taken in Hong Kong by a man who happened to see the holy Guan Yin appear from the clouds one day. He quickely took a picture, this is a very special picture, only true believers can see her image. Non belivers only see clouds". A family tale passed down by my mother.
Installation view, 'Upstairs' By Yeu-Lai Mo, Deptford X 2022
Ren-enactment performance, Carton Gallery, Ninth Life, Catford Arts Trail, Yeu-Lai Mo Oct 2021.
Phase 1- DYCP grant.
Photographs by Sophie Le Roux pages 1,3,4
Upstairs, Video Projection & Sound Piece
Detail,
Photos 1-5 Hyeheum Cho
'Upstairs' Video Projection
Girl, Boy with Sound piece
13 mins
Installation Site
Deptford X 2022